[LACMA] Art Enters the Computer Age, 1952-1982, 현대자동차

<예술가, 작가, 음악가, 안무가 및 영화 제작자는 컴퓨터 기술의 새벽에 데이터, 디지털화 및 알고리즘의 가능성을 탐구>
<새로운 코드를 가진 기계의 등장으로 세상에 대한 경이로움 동시에 인간들의 소외감이 노출되다. 전자 정보 기계가 주는 유토피아적 및 디스토피아적 가능성을 사회에 반영하는 예술이 등장하다> - 현대자동차 지원

LACMA 전시 예술이 컴퓨터 시대에 진입하다, 1952–1982 (Coded: Art Enters the Computer Age, 1952-1982)  [보도자료] (Los Angeles, CA-January 10, 2023) The Los Angeles County Museum of Art (LACMA) presents Coded: Art Enters the Computer Age, 1952-1982, an exhibition that explores artistic practices in relation to the rise of computer technology and consciousness in the age of the mainframe, a period when computers evolved from elite military machines used to calculate missile projections and decrypt code into central operating fixtures in governmental, corporate, and educational institutions around the world. The exhibition's chronological parameters begin in 1952, the date of the earliest purely aesthetic image made on a computer (analog), and end in 1982, when the personal computer took center stage and replaced the mainframe as the machine of the future.

International and interdisciplinary in scope. Coded examines the origins of what we now call digital art, created by artists, writers, musicians, choreographers, and filmmakers working directly with computers as well as those using algorithms and other systems to produce their work. Works by artists associated with mainstream art

movements like Op and Conceptual art provide a context to econsider the work of under-recognized computer artists in a new light. Whether computer-generated or not, the many artworks considered in the exhibition reflet the simultaneous wonder

and alienation that was characteristic of the 1960s and '70s, along with the utopian and dystopian possibilities of these new machines. Coded's examination of the years leading up to the advent of the personal computer is relevant, even imperative, to fully appreciating art and culture in the age of the computer-both then and now. Coded includes over 100 objects made by 75 artists-many of whom are being exhibited at LACMA for the first time-with many drawn from the museum's

이번 LA LACMA 라크마에서 열리는 <컴퓨터와 현대미술 1952-1982> 현대 자동자 스펀서 전시 [참여 작가] 백남준 포함 아래와 같다 Rebecca Allen, Siah Armajani, Richard Baily, Colette Stuebe Bangert, Charles Jeffries Bangert, Jennifer Bartlett, Jonathan Borofsky, Stanley Brouwn, Henri Cartier-Bresson, Thomas Chimes, Harold Cohen, Computer Technique Group, Analivia Cordeiro, Waldemar Cordeiro, Charles Csuri , Agnes Denes, Herman de Vries, Juan Downey, Charles Eames, Ray Eames, Charles Gaines, Brion Gysin, Hans Haacke, Frederick Hammersley, Leon D. Harmon, June Harwood, Jean-Pierre Hébert, Desmond Paul Henry, Channa Horwitz, Hervé Huitric, Toshi Ichiyanagi, Donald Judd, Hiroshi Kawano, Edward Kienholz, Alison Knowles, Kenneth C. Knowlton, Beryl Korot, Gerald Laing, Ben F. Laposky, Sol LeWitt, Jackson Mac Low, Aaron Marcus, Jean-Claude Marquette, Hansjörg Mayer , Edward Meneeley, Manfred Mohr, Vera Molnár, François Morellet, NE Thing Co. Ltd(Iain and Ingrid Baxter),Monique Nahas, Frieder Nake, Lowell Nesbitt, A. Michael Noll, Eduardo Paolozzi, Peter Phillips, Sheila Pinkel, Paul Rand, Sonya Rapoport, Bridget Riley, Lillian F. Schwartz, Barbara T. Smith, John Stehura, Peter Struycken, Calvin Sumsion, Angelo Testa, Joan Truckenbrod, Stan VanDerBeek, Victor Vasarely, Gary Viskupic, Lawrence Weiner, Dennis Wheeler, John Whitney Sr, Stephen Willats 및 Emmett Williams.